Walter Sickert's creepy painting titled "Jack the Ripper’s Bedroom" hangs in England’s Manchester Art Gallery.

Created in 1907 by Walter Sickert, Jack the Ripper’s Bedroom is a painting that hangs in England’s Manchester Art Gallery. From the perspective of an open doorway, the painting, shrouded in shadows, depicts a dark room with indistinct furniture barely made out through filtered window light.

An English painter and a founder of the Camden Town Group, a group of Post-Impressionist artists, Sickert was considered an important influence on avant-garde art and made a name for himself in Victorian London.

He was an eccentric man and his work was often mysterious and ghoulish. At the time, his personality and eerie paintings simply defined the cutting-edge artist he was. But decades later, a deeper look at Sickert gave rise to the possibility of another identity — that of the person whose bedroom Sickert painting all those years ago: Jack the Ripper.

Walter Sickert Develops His Gloomy Style Of Painting

Born in 1860 in Munich, Germany, Walter Sickert moved with his family to England in 1968. Before starting the Camden Town Group, he studied at the University College School in London

In 1882, Sickert moved to London and became the apprentice and assistant to James Abbot McNeill Whistler, an artist Sickert greatly admired. While working under the Whistler, Sickert began creating more work that portrayed the seedy, unglamorous nature of everyday life in the dark corners of London. Through the late 1890s, Sickert continued to paint scenes of London’s working class.

Later on, these grittier pieces served as a jumping off point for people to link Sickert to Jack the Ripper.

It wasn’t a secret that Sickert was fascinated with Jack the Ripper’s murders. When he moved to Camden Town in the early 1900s, he painted Jack the Ripper’s Bedroom after his landlady told him that the Ripper was the previous tenant of the room he was staying in.

In 1920, Sickert’s wife died. She was a student of his who was 18 years younger than him. Her death took a toll on him, with his behavior becoming progressively more erratic.

In 1926, his mother died, which allegedly sent him into a full-on depression. He moved to Bathampton, Bath in 1938 and died there on January 23, 1942. At that point, he was only remembered as a prominent modernist painter.

During Jack the Ripper’s murders, Sickert was 28 and a little under 6 feet tall. He had light brown hair, a light complexion, and a mustache. It was close to descriptions that had been given of infamous serial killer, but nobody then gave a thought to Sickert in connection with the shadowy killer.

The first time Sickert was mentioned in relation to Jack the Ripper was decades after his death, in the 1970s, when the Royal Conspiracy Theoryemerged. The radical theory suggested that the Whitechapel Murderer was a member of the Royal Family.

In this theory, Sickert isn’t the murderer himself, but an accomplice to the crimes. The book by Stephen Knight, Jack the Ripper: The Final Solution, said that Sickert was forced into being an accessory to the murders by the Royal Family member.

In the 1990s, Sickert moved from a supporting role in the Ripper murders to the main character. Jean Overton Fuller released a book, Sickert and the Ripper Crimes, and drew on evidence that was given to her mother by Florence Pash, who was a colleague of Sickert’s. In her old age, Pash had confided in Fuller’s mother, telling her she had kept the secret that Sickert was the true identity of Jack the Ripper. Fuller also used clues in Sickert’s artwork to support the idea.

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